Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Performance “Waiting for Godot”

2025-01-18 - 2025-01-18

Time

19:00 - 21:30

Location

Klaipėda Culture Factory
Bangų str. 5A, Klaipėda
“Waiting for God” is a performance by Klaipėda Youth Theatre based on Samuel Beckett’s famous absurdist play. The only thing that is really clear in Beckett’s story is waiting. The main characters Vladimir and Estragon are waiting for Mr Godot, to whom they want to ask some fundamental questions and ask something very important. But the wait is so long that Vladimir and Estragon end up forgetting what they are waiting for and why. As they wait for salvation, they realise that they do not know what they want to be saved for, who the saviour is or what salvation looks like. But waiting becomes the only hope of life for the characters in the play, even though the futility of waiting turns into a tragicomic farce.
The performance takes place in an indeterminate, dream-like space. Time has no “shores” – there is no beginning and no end, it is not clear whether time is moving forward or backward, whether it is stopped or whether it is circling. This indeterminacy of time and space adds to the absurdity of waiting, but it also brings the audience into the surreal world of the performance, where Vladimir and Estragon wander along with them and wait for Godot’s answers.

* Automatic translation was used to translate the event information.